When last I left you, I was double-rehearsing for RAMONA QUIMBY and THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. I so cleverly nicknamed it the Ramona QuimBee project. I rehearsed Ramona for 4 hours in the morning, have about a 4 hour break in the afternoon (not quite long enough to make it worth it to go home, but certainly long enough to eat Chick Fil-A then be bored for 3 1/2 hours), and then Bee rehearsal was in the evening.
The music for Bee was deceptively challenging. I truly thought at
first that I wouldn't be able to get it together by opening night, and that
the music director made a mistake by hiring me to play keyboard for it.
I lived, breathed, and agonized over that score, but I didn't give up,
and by the time we were about to start previews, I got so confident
with the music that when there was a rehearsal called with just me and
no band, I was wishing that there wasn't a band at all and that I could
just play the whole show by myself. As a bandleader, it was an exercise
in learning to deal with a variety of personalities. I'm trying to be
diplomatic here, so enough said about that. I'm grateful for that
exercise. Linda, the music director, has taught me more than she's
probably aware of. I learned a lot of what I know about being an
accompanist just by watching her.
The cast from
Spelling Bee was so nice and welcoming. They treated me like I was just
as important as them every step of the way.
Ramona and
Bee had overlapping runs. I think I literally had a couple of 16 or 17
show weeks. RQ toured around to schools (in a van), then did a week of
shows at the Teaching Museum in Roswell, and then finally ended with a
week of performances at the home of Georgia Ensemble Theatre - right in
front of the Spelling Bee set. The Teaching Museum was exactly what it
sounds like. We took a field trip there during rehearsals just to see
it, and we walked in the auditorium and were greeted with 44 life-size
President cardboard cut-outs - everyone from Washington to Obama. On
our performance week, we had 2 dressing rooms. We started out in a
happy lovey cheerful Dr. Seuss room, and then due to something about
space availability, we had to be moved to a replica of Anne Frank's
attic. Not as playful of a vibe there.
I loved the
QuimBee project, and was sad when the Ramona part especially was over.
RQ, believe it or not, turned out to be one of my favorite shows of my
career. I treasure the experience, and the cast is one of the 6 best
ensemble casts I've been a part of in my 22 year, 95 show career. It
was a hard one to say goodbye to.
[Hopefully] Enclosed
are a couple of pictures. One is of the entire cast and crew of
Spelling Bee, and the other one was taken from Ramona Quimby: The Last
Supper. I had a great time writing about this - it really took me
back. Next up, A COUNTRY CHRISTMAS CAROL...
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